Based on these findings, one can hypothesize that the magical realm of fairy tales can already be regarded as a place of experimentation where an alternative reality, as described by posthumanist theories, can be imagined and possibly actualized. Ultimately, the paper proposes a posthumanist reading of “Body-without-Soul” by highlighting how becoming–animal allows a rearrangement of the hierarchy between humans and the non-human world and promotes behaviors based on trust and codependence. Employing Gilles Deleuze’s concept of becoming, it then discusses metamorphosis as a form of becoming–animal, challenging the idea of an ontological categorization of humans and animals. Fiabe italiane-Italo Calvino 2016-03 Italian Folktales-Italo Calvino 1980 Retells two hundred traditional Italian tales, including the stories of a fearless little man, a prince who married a frog, and a woman who lived on wind Guida alla lettura di Italo Calvino-Sarah Cruso 2007 Fiabe in cui vince il pi furbo. Following Serenella Iovino’s (2014) insight that Calvino’s literary production can be seen as encapsulating some of the tenets of posthumanism, the paper first investigates Calvino’s conception of storytelling, arguing that in Fiabe Italiane folk and fairy tales can be compared to Calvino’s investigation of variants, leading to the development of a post-anthropocentric type of narrative. This paper focuses on Italo Calvino’s Fiabe Italiane (1956) and its relationship with posthumanism by analyzing a case of human–animal metamorphosis.
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